Movies

Languages: English, Dolby Digital 2.0 Mono

Subtitles: English

Sound: Dolby Digital 2.0 Mono

Summary: In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall

Sound: Dolby

Summary: Val is 23 years old and full of dreams. She travels to New York to become an actress. She is lonely in a strange country, in a strange city, with little money and no friends. In her path, she meets weird people who they, also, seek their dreams but everyday life gets in the way. Tired and hungry she sits on the corner of a building. Across the street a writer whose fantasy has dry out. In an instant she becomes his muse... At the Oscar's night she will be the one with the Golden Globe in her hands.

Sound: DTS-ES

Comments: Let The Magic Begin.

Summary: Harry Potter and the Sorcerer's Stone is the first film in the Harry Potter series based off the novels by J.K. Rowling. It is the tale of Harry Potter, an ordinary 11-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Hagrid, the grounds keeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted.

Sound: Dolby

Summary: King Henry V of England (Kenneth Branagh) is insulted by the King of France. As a result, he leads his army into battle against France. Along the way, the young king must struggle with the sinking morale of his troops and his own inner doubts. The war culminates at the bloody Battle of Agincourt.

Languages: English, Dolby Digital 2.0 Mono; Commentary by Film Historian Bruce Eder, Dolby Digital 1.0

Subtitles: English

Sound: Dolby Digital 2.0 Mono

Comments: Laurence Olivier's Presentation in Technicolor of Henry V

Summary: The definitive call to arms, Laurence Olivier's Henry V is a patriotic saga awash with pageantry, battles, romance and political chicanery. Intended to rally Britain during the darkest days of World War II, the film shows how the star of England sought to stake an ancestral, royal claim on the soil of France. Olivier once said, famously, that "it isn't until you're older that you can understand the pictorial beauty of heroism". And at the ripe age of 37, the actor essays an insouciant character endowed with great powers of strength, spirit, and intellect. From the moment Olivier strides on screen, the audience is held both rapt and willingly captive. During his magnificent "St. Crispin's Day" speech, Olivier refuses to indulge in excessive personal close-ups, choosing instead to depict the communal impact of his words on the troops. Though he understands the importance of clear, realistic communication, Olivier the director also displays a penchant for artifice--as exemplified by his decision to open the film in a replica of the Globe Theatre. The play's various diplomatic exchanges--usually of the dull, obligatory variety--are enlivened through touches of light comedy: a sly wind blows court papers over the set as courtiers argue over boundaries and treaties. There is also humour to be found in the King's taciturn romancing of Princess Katharine (Renée Asherson). But there are also plenty of large-scale events, with Olivier demonstrating the fleetness of Shakespeare's world even as he mimics the headlong rush of destruction. A romanticised film of a nation at war, the director leaves no doubt that the British victory over the French at Agincourt (1415) was Medieval England's and the King's finest military triumph. The film is rendered complete by William Walton's magnificent score, which pushes all the appropriate patriotic buttons. For his efforts, Olivier received a special Oscar "for his outstanding achievement as actor, producer, and director in bringing Henry V to the screen". --Kevin Mulhall

Languages: English, DTS; English, Dolby Digital 2.0 Surround; French, Dolby Digital 2.0 Surround; Commentary by director Russell Mulcahy and producers Peter S. Davis and William N. Panzer, Unknown

Sound: DTS

Comments: He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.

Summary: Born in the Highlands of Scotland in 1518, Connor Macleod is immortal. When he is wounded in battle but does not die, he is banished from his village. He meets another like himself, Ramirez, who teaches him swordsmanship--the only way to kill another immortal is to take his head--and the ways of the immortals. Modern-day New York is the location of "The Gathering," where Connor and the few remaining immortals must battle to the last for "The Prize."

Sound: DTS

Comments: Don't Panic

Summary: Everyone has bad mornings. You wake up late, you stub your toe, you burn the toast...but for a man named Arthur Dent, this goes far beyond a bad day. When he learns that a friend of his is actually an alien with advanced knowledge of Earth's impending destruction, he is transported off the Earth seconds before it is exploded to make way for a new hyperspace motorway. And as if that's not enough, throw in being wanted by the police, Earth II, an insane electronic encyclopedia, no tea whatsoever, a chronically depressed robot and the search for the meaning of life, and you've got the greatest adventure off Earth.

Languages: English, Dolby Digital 5.1; English, Dolby Digital 2.0 Surround; French, Dolby Digital 2.0 Surround; Commentary by director Paul Verhoeven, Kevin Bacon and Andrew Marlowe, Unknown

Subtitles: English, French

Sound: Dolby Digital 5.1

Comments: Think You're Alone? Think Again.

Summary: Elisabeth Shue is Linda Foster, a scientist who is working on a serum to make people invisible. When another scientist tries the serum and becomes invisible his colleagues figure another way to bring him back to the normal world.

Languages: English, Dolby Digital 2.0 Mono; Spanish, Dolby Digital 2.0 Mono

Subtitles: English

Sound: Dolby Digital 2.0 Mono

Comments: It's Going to be a Shot in the Dark!

Summary: Val Waxman is a film director who was once big in the 1970's and 1980's, but has now has been reduced to directing TV commercials. Finally, he gets an offer to make a big film. But, disaster strikes, when Val goes temporarily blind, due to paranoia. So, he and a few friends, try to cover up his disability, without the studio executives or the producers knowing that he is directing the film blind.

Sound: Dolby Digital

Comments: Stand Your Ground And Fight.

Summary: Unjustly expelled from Harvard when a stash of cocaine is found in his possession, Matt (Elijah Wood) moves to London to live with his sister and her husband Steve (Marc Warren.) He is quickly introduced to Steve's chirpy, cock-sure younger brother Pete (Charlie Hunnam.) Initially, Pete is reluctant to get acquainted with Matt and allow him to tread around the capital city with him because he may be seen by others as an 'outsider', but after a heavy drinking session with him and his mates he quickly changes his opinion of him. On the way back from a football match, Matt is viciously accosted by a gang of Birmingham City thugs, until Pete and his friends step in and save him. It is from here that Matt learns the truth about Pete and his friends- they are football hooligans, operating the GSE (Green Street Elite) 'firm.' Initially afraid of the violence, Matt soon ends up becoming as desensitized to it as his new found friends- but as events roll on, suspicion, shocking revelations and unsettled scores combine to a devastating climax where London's most fierce football rivals- Millwall and West Ham United- are set to go head to head.

Languages: English, Dolby Digital 5.1

Subtitles: English

Sound: Dolby Digital 5.1

Summary: With 17 previous screen adaptations behind it, this 2002 BBC version of The Hound of the Baskervilles might have been inhibited by the sheer weight of expectation. But in this production--marking the centenary of Arthur Conan Doyle's novel--director David Attwood rings the changes subtly and strikingly, helped by Allan Cubitt's tautly argued script and Christopher Hall's vivid production: the viewer feels the "presence" of the moors as never before. Richard Roxburgh is a thoughtful, understated Sherlock Holmes--self-absorbed yet observant of life around him. There's nothing bumbling or ineffectual about Ian Hart's Dr Watson--a resourceful thinker who, often sceptical of Holmes, complements him in human awareness. Richard E Grant dons a plausibly sociopathic manner as Stapleton, and there's a touching portrayal of his put-upon sister from Neve McIntosh. John Nettles and Geraldine James contribute sterling character parts as Dr and Mrs Mortimer, and Matt Day is a suave, not too sophisticated Sir Henry Baskerville. It adds up to a convincing rethink of a hallowed tale.
On the DVD:The Hound of the Baskervilles on disc comes with a 16:9 picture that reproduces the sombre atmosphere of Baskerville Hall--shot at a variety of English locations--with real immediacy, and the Dolby Digital sound has 5.1 surround enhancement. Subtitles are in 11 languages, with 10 scene selections--framed in a stylishly- presented main menu. Special Features include a 12-minute making of documentary and interviews with the cast members, as well as a running commentary from Attwood and Hall. --Richard Whitehouse

Languages: English, Dolby Digital 5.1; Spanish, Dolby Digital 5.1; French, Dolby Digital 5.1

Subtitles: Spanish, French

Sound: Dolby Digital 5.1

Comments: Unleash the fury!

Summary: Amazingly, Ang Lee's Hulk makes a fair fist of pleasing everybody. The latest in a run of Marvel Comic-to-film transfers, it acknowledges the history of a character who dates back to 1962 while recreating him in contemporary terms. Though this, Hulk's origin still draws on the 1960s iconography of bomb tests and desert bases, this new take mixes gene-tampering with gamma radiation and never forgets that poor Bruce Banner (Eric Bana) has been psychologically primed by a mad father (Nick Nolte) and a disappointed girlfriend (Jennifer Connelly) to transform from repressed wimp to big green powerhouse even before the mad science kicks in.
The long first act is enlivened by comic book-style split-screen effects and multiple foreshadowings--Lee keeps finding excuses to light Bana's face green--but is also absorbing personal drama from the man who gave you The Ice Storm before flexing his action muscles on Crouching Tiger Hidden Dragon. When Banner begins his Jekyll-and-Hyde seizures, the ILM CGI boys step in and use Bana as a template for the most fully-realised digital characterisation yet seen in the movies. Comics fans will thrill as a credibly bulky, superswift, super-green behemoth tangles with mutated killer dogs (including a very vicious poodle) in a night time forest, bursts out of confinement in an underground secret base, takes on America's military might while bouncing around a Road Runner and Coyote-like South Western desert and then invades San Francisco for some major "Hulk... smash" action. Artful and entertaining, engaging and explosive, this is among the most satisfying superhero movies.
On the DVD: Hulk two-disc set doesn't quite hulk-out as well comparative Marvel movie releases for the X-Men films, Spider-Man and Daredevil. Disc 2 assembles a pile of those infotainment documentaries prepared to drum up pre-publicity but which feel a bit redundant once the movie is out, especially since there's so much repetition between the featurettes. It's all very well, and some of the technical stuff is fascinating, but this particular film could do with a more in-depth thematic approach: there's a lot about how the CGI Hulk was realised but little on the development of the story, the performances or the general tone, though Ang Lee's slightly sparse commentary makes interesting stabs in that direction. The biggest revelation in the background material is that Lee, known for his delicacy of touch, himself wore the motion capture suit and smashed up plywood tanks as a guide for the CGI animators. --Kim Newman